Headbanging, rocking and moonwalking fossils

Mats E Eriksson (Sweden) One can never be too careful when given the opportunity to name a fossil organism that has proved to be new to science. In addition to a meticulous description and accompanying images showing the characteristic traits of the fossil, a unique and formal, Latinized scientific name must be attached to the creature. Many people, who get the chance honour an older colleague or famous palaeontologist, use the name of the discovery site or region to indicate the provenance of the fossil or, of course, christen the fossil after its characteristic looks (for example, Eriksson, 2017a). But you can also glance towards completely different areas, such as the art and music scenes. As a lifelong music fan and hobby musician (who, just like many of my peers, had aspiring yet quite ludicrous ‘rock star dreams’ in my teens) and a palaeontologist by profession, I cannot help myself but feeling blissful and delighted about the possibility of joining my two passions – ‘heavy’ music and palaeontology – in ‘unholy matrimony’. This has, among other things, led me to name some extinct polychaete annelid worms (bristle worms – the marine ‘cousins’ of earth worms and leeches) from the Silurian and Devonian periods after some of my favourite ‘metal’ musicians. These largely soft-bodied animals generally have poor preservation potential, although full body fossils are known from the fossil record. However, some representatives are equipped with resistant jaws (when preserved as microfossils they are known as scolecodonts) that, by contrast to … Read More

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