Heavy Metal painter meets Heavy Metal palaeontologist: The conception of an unusual portrayal of the past

Mats E Eriksson (Sweden) Sometimes, the stars just seem to align perfectly and make you appreciate life more than at other times. You know those ephemeral moments when, all of a sudden, you find yourself in the midst of something that you would not have dared dream about. All your favourite aspects of life are suddenly combined into a giant melting pot and once the metaphoric molten steel hardens, you are left with the most stunning and unexpected new kind of precious metal. For me, this happens when music, arts and palaeontology unorthodoxly merge (Eriksson, 2016); and more specifically in this case, when exceptionally preserved, miniscule Cambrian arthropods had their first encounter with, and ‘sat for a portrait’ for, an iconic ‘metal’ painter. Besides my profession as a palaeontology professor at Lund University in Sweden, I have a major soft spot for the arts and music. As a matter of fact, in some aspects of my professional life, I have had (or created) the opportunity of actually combining these long love affairs. When it comes to scientific outreach, I am involved in a traveling exhibition on fossils named after rock stars (‘Rock Fossils’; Eriksson, 2014a) and I have named fossils in honour of some of my favourite musicians (Eriksson 2014a, 2017; Eriksson et al., 2017). I also record music based on palaeontological research results together, with established metal musicians (for example, Eriksson, 2014b; https://kalloprionkilmisteri.bandcamp.com/releases). Granted, this might be viewed as exceedingly eccentric and something that you perhaps think does not … Read More

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