Duria Antiquior: A nineteenth-century forerunner of palaeoart

Steven Wade Veatch (USA) Fig. 1. Duria Antiquior. A watercolour painted in 1830 by Henry De la Beche, who conjured up a vivid picture of an ancient world. It is now in the National Museum of Wales and another copy can be seen at the Sedgwick Museum in Cambridge. (Image is public domain.) In a breath of inspiration in 1830, English geologist, Henry De la Beche (1796–1855), while exploring new intellectual territories in the emerging fields of palaeontology, painted Duria Antiquior (meaning “a more ancient Dorset”), a representation of a prehistoric Dorset coast. De la Beche’s work was ground breaking – his artwork combined science and art in the first artistic rendering of a paleontological scene, while laying bare the secrets of the past. Before 1830, art depicting the prehistoric world did not exist and these realms were unknown to the public (Porter, n.d.). While it is true that scientists made drawings of fossil animals and exchanged them with each other in private letters, the public had no concept of how prehistoric animals looked. This painting opened people’s imagination to new visions, thoughts and beliefs. De la Beche’s painting also laid the foundation for a new genre that would later be known as palaeoart, an artistic genre that reconstructs prehistoric life according to the fossil record, scientific understanding and artistic imagination. De la Bache’s brushstrokes of prehistoric time included (literally) all the information known at that time about ancient life and soon became the first teaching graphic used in the … Read More

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